The Brussels Review: Autumn 2024

The Brussels Review: Autumn 2024

Përshkrimi

Cover: Paula Raiglot, "Reading women are dangerous", 2011, acrylic, 160 × 140 cm

The first issue, and the only one to carry an interview: Annelies Verbeke on a literary journey. Fourteen stories open with F. Kevin Murphy's The Carousel, Warsaw, May 1943, and nine poets follow, several with small sequences of their own.

Interview

Annelies Verbeke: A Literary Journey

Fiction

F. Kevin Murphy: The Carousel 
Rebecca Klassen: All That Grows 
Ciara Mandulee Mendis: The Secrets of Dead Leaves 
Ornela Musabelliu: The Shoes 
David Hutto: The Price of Angels 
Robert Slentz-Kesler: Stay Calm, Stay Discreet 
Huina Zheng: Bonds 
Urmi Palchoudhury: The gulmohar tree 
Jonathan Scott Davies: An apartment in Paris 
Janet Goldberg: Much Happiness 
Paul Lewellan: Almost Famous 
Stephen O'Donnell: Sacred Sunday 
Patrick ten Brink: My Special Condition 
Nelly Shulman: The Badlands

Poetry

Frank William Finney: In Memory of Papa's Pond Robert René Galván: Venerable Tree · Coal Shack to Brooklyn
Banyan Elizabeth Gunn: Cartographer · Time-Lapse Photography · Tuesday 
James B. Nicola: Diogenes · Mon Semblable, Ma Soeur 
Eleni C. Traganas: Helianthus · Metamorphosis · Inheritance 
Nadine Ellsworth-Moran: What the wind carries · If you want to find me, follow the scent of mandrake · Ode to peculiar beauty: On reading Clarice Lispector 
Peter Graarup: Jesus · Plaster Saints Aki Dueñas: God and Other Excuses 
Amy L. Bernstein: Girl Reading a Letter at an Open Window

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