{"product_id":"the-brussels-review-autumn-2024","title":"The Brussels Review: Autumn 2024","description":"\u003cp\u003e\u003cspan\u003eIn this issue of \u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003eThe Brussels Review\u003c\/span\u003e\u003cspan\u003e, readers are treated to a diverse array of voices and narratives, each exploring the intricacies of the human experience. From stories of resilience and memory to reflections on nature and the divine, this collection offers a rich tapestry of literary expression. Additionally, an insightful interview with Annelies Verbeke provides a glimpse into the mind of a contemporary literary figure.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003eFiction\u003c\/span\u003e\u003cspan\u003e opens with Kevin Murphy's poignant narrative, \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eThe Carousel,\u003c\/span\u003e\u003cspan\u003e followed by Rebecca Klassen's touching story, \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eAll That Grows.\u003c\/span\u003e\u003cspan\u003e Ciara Mandulee Mendis explores familial tensions in \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eThe Secrets of Dead Leaves,\u003c\/span\u003e\u003cspan\u003e while Ornela Musabelliu delves into the sadness of loneliness in \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eThe Shoes.\u003c\/span\u003e\u003cspan\u003e David Hutto presents a satirical reflection on humanity in \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eThe Price of Angels,\u003c\/span\u003e\u003cspan\u003e and Robert Slentz-Kesler takes us into the world of Cold War-era espionage in \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eStay Calm, Stay Discreet.\u003c\/span\u003e\u003cspan\u003e Huina Zheng's \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eBonds\u003c\/span\u003e\u003cspan\u003e captures the complexity of human relationships, while Urmi Palchoudhury's \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eThe Gulmohar Tree\u003c\/span\u003e\u003cspan\u003e evokes the nostalgia of changing landscapes. Jonathan Scott Davies offers an intimate portrayal of life in Paris with \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eAn Apartment in Paris,\u003c\/span\u003e\u003cspan\u003e and Janet Goldberg presents a nuanced exploration of joy and sorrow in \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eMuch Happiness.\u003c\/span\u003e\u003cspan\u003e Paul Lewellan's \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eAlmost Famous\u003c\/span\u003e\u003cspan\u003e provides a sharp commentary on the pursuit of success, followed by Stephen O’Donnell’s vivid portrayal of rituals in \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eSacred Sunday.\u003c\/span\u003e\u003cspan\u003e Patrick ten Brink's \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eMy Special Condition\u003c\/span\u003e\u003cspan\u003e examines personal perception, and Nelly Shulman closes the fiction section with a stark portrayal of resilience in \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eThe Badlands.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the \u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003ePoetry\u003c\/span\u003e\u003cspan\u003e section, Frank William Finney reflects on childhood memories in \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eIn Memory of Papa’s Pond,\u003c\/span\u003e\u003cspan\u003e while Robert René Galván explores the strength of nature in \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eVenerable Tree.\u003c\/span\u003e\u003cspan\u003e Elizabeth Gunn maps out the emotional terrains of life in \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eCartographer,\u003c\/span\u003e\u003cspan\u003e and James B. Nicola offers a compelling ode to philosophical questioning in \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eDiogenes.\u003c\/span\u003e\u003cspan\u003e Eleni C. Traganas presents a delicate ode to nature with \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eHelianthus,\u003c\/span\u003e\u003cspan\u003e and Nadine Ellsworth-Moran explores the ephemeral nature of memory in \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eWhat the Wind Carries.\u003c\/span\u003e\u003cspan\u003e Peter Graarup's \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eJesus\u003c\/span\u003e\u003cspan\u003e invites readers to meditate on faith and the divine, while Amy L. Bernstein's \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eGirl Reading a Letter at an Open Window\u003c\/span\u003e\u003cspan\u003e reflects on love, loss, and introspection.\u003c\/span\u003e\u003c\/p\u003e","brand":"The Brussels Review","offers":[{"title":"Default Title","offer_id":54092371427663,"sku":"","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0834\/7467\/8095\/files\/61ntYxv7N6L._SL1360__1.jpg?v=1735489541","url":"https:\/\/shop.thebrusselsreview.com\/en-balkan\/products\/the-brussels-review-autumn-2024","provider":"The Brussels Review","version":"1.0","type":"link"}