{"title":"Issues","description":"\u0026lt;p\u0026gt;All issues of The Brussels Review — quarterly literary magazine featuring fiction, nonfiction, and poetry.\u0026lt;\/p\u0026gt;","products":[{"product_id":"the-brussels-review-autumn-2024","title":"The Brussels Review: Autumn 2024","description":"\u003cp\u003e\u003cspan\u003eIn this issue of \u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003eThe Brussels Review\u003c\/span\u003e\u003cspan\u003e, readers are treated to a diverse array of voices and narratives, each exploring the intricacies of the human experience. From stories of resilience and memory to reflections on nature and the divine, this collection offers a rich tapestry of literary expression. Additionally, an insightful interview with Annelies Verbeke provides a glimpse into the mind of a contemporary literary figure.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003eFiction\u003c\/span\u003e\u003cspan\u003e opens with Kevin Murphy's poignant narrative, \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eThe Carousel,\u003c\/span\u003e\u003cspan\u003e followed by Rebecca Klassen's touching story, \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eAll That Grows.\u003c\/span\u003e\u003cspan\u003e Ciara Mandulee Mendis explores familial tensions in \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eThe Secrets of Dead Leaves,\u003c\/span\u003e\u003cspan\u003e while Ornela Musabelliu delves into the sadness of loneliness in \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eThe Shoes.\u003c\/span\u003e\u003cspan\u003e David Hutto presents a satirical reflection on humanity in \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eThe Price of Angels,\u003c\/span\u003e\u003cspan\u003e and Robert Slentz-Kesler takes us into the world of Cold War-era espionage in \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eStay Calm, Stay Discreet.\u003c\/span\u003e\u003cspan\u003e Huina Zheng's \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eBonds\u003c\/span\u003e\u003cspan\u003e captures the complexity of human relationships, while Urmi Palchoudhury's \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eThe Gulmohar Tree\u003c\/span\u003e\u003cspan\u003e evokes the nostalgia of changing landscapes. Jonathan Scott Davies offers an intimate portrayal of life in Paris with \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eAn Apartment in Paris,\u003c\/span\u003e\u003cspan\u003e and Janet Goldberg presents a nuanced exploration of joy and sorrow in \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eMuch Happiness.\u003c\/span\u003e\u003cspan\u003e Paul Lewellan's \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eAlmost Famous\u003c\/span\u003e\u003cspan\u003e provides a sharp commentary on the pursuit of success, followed by Stephen O’Donnell’s vivid portrayal of rituals in \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eSacred Sunday.\u003c\/span\u003e\u003cspan\u003e Patrick ten Brink's \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eMy Special Condition\u003c\/span\u003e\u003cspan\u003e examines personal perception, and Nelly Shulman closes the fiction section with a stark portrayal of resilience in \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eThe Badlands.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the \u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003ePoetry\u003c\/span\u003e\u003cspan\u003e section, Frank William Finney reflects on childhood memories in \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eIn Memory of Papa’s Pond,\u003c\/span\u003e\u003cspan\u003e while Robert René Galván explores the strength of nature in \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eVenerable Tree.\u003c\/span\u003e\u003cspan\u003e Elizabeth Gunn maps out the emotional terrains of life in \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eCartographer,\u003c\/span\u003e\u003cspan\u003e and James B. Nicola offers a compelling ode to philosophical questioning in \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eDiogenes.\u003c\/span\u003e\u003cspan\u003e Eleni C. Traganas presents a delicate ode to nature with \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eHelianthus,\u003c\/span\u003e\u003cspan\u003e and Nadine Ellsworth-Moran explores the ephemeral nature of memory in \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eWhat the Wind Carries.\u003c\/span\u003e\u003cspan\u003e Peter Graarup's \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eJesus\u003c\/span\u003e\u003cspan\u003e invites readers to meditate on faith and the divine, while Amy L. Bernstein's \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eGirl Reading a Letter at an Open Window\u003c\/span\u003e\u003cspan\u003e reflects on love, loss, and introspection.\u003c\/span\u003e\u003c\/p\u003e","brand":"The Brussels Review","offers":[{"title":"Default Title","offer_id":54092371427663,"sku":"","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0834\/7467\/8095\/files\/61ntYxv7N6L._SL1360__1.jpg?v=1735489541"},{"product_id":"the-brussels-review-winter-2024","title":"The Brussels Review: Winter 2024","description":"\u003cp\u003e\u003cspan\u003eDive into the evocative Winter 2024 issue of The Brussels Review, featuring a rich tapestry of stories and poems that traverse emotional landscapes and explore the depths of the human condition. This collection brings together a diverse array of voices and tales that resonate with authenticity and artistic flair.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003eFiction:\u003c\/span\u003e\u003c\/p\u003e\n\u003col class=\"a-ordered-list a-vertical\"\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-bold\"\u003eSubha Roychowdhury\u003c\/span\u003e\u003cspan\u003e: \"Your Existence and Me\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-bold\"\u003eMadhumati Dutta\u003c\/span\u003e\u003cspan\u003e: \"Brothers\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-bold\"\u003eVictor Oluwalana\u003c\/span\u003e\u003cspan\u003e: \"Ebele\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-bold\"\u003eDavid Levine\u003c\/span\u003e\u003cspan\u003e: \"Blood Brother Jack\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-bold\"\u003eIsabella Mori\u003c\/span\u003e\u003cspan\u003e: \"Threading The Needle\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-bold\"\u003eJ.R. Gerow\u003c\/span\u003e\u003cspan\u003e: \"In the Garden\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-bold\"\u003eJawahara K. Saidalluah\u003c\/span\u003e\u003cspan\u003e: \"Wild Song of Grief\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-bold\"\u003eA.D. Capili\u003c\/span\u003e\u003cspan\u003e: \"The Appointment\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-bold\"\u003eZach Murphy\u003c\/span\u003e\u003cspan\u003e: \"The River Is A Mirror,\" \"Orbits,\" \"Good Evening, My Friend\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-bold\"\u003eLucie Bonvalet\u003c\/span\u003e\u003cspan\u003e: \"Aurora’s hair\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-bold\"\u003eDave Hangman\u003c\/span\u003e\u003cspan\u003e: \"My Husband Is an Emoticon\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-bold\"\u003eMichael Lithgow\u003c\/span\u003e\u003cspan\u003e: \"The Taxidermy Lesson\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-bold\"\u003eMandy Ruthnum\u003c\/span\u003e\u003cspan\u003e: \"The Snow Castle\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-bold\"\u003eJim Wasserman\u003c\/span\u003e\u003cspan\u003e: \"The lineman\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-bold\"\u003eJohn Carneson\u003c\/span\u003e\u003cspan\u003e: \"The Bar, the Scar, and Bambi\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-bold\"\u003eDavid Labi\u003c\/span\u003e\u003cspan\u003e: \"Lord of the Manor\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-bold\"\u003ePeter Newall\u003c\/span\u003e\u003cspan\u003e: \"Landscape With Birds\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-bold\"\u003eKen Reimer\u003c\/span\u003e\u003cspan\u003e: \"Two Final Cups of Tea\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-bold\"\u003eMaggie Nerz Iribarne\u003c\/span\u003e\u003cspan\u003e: \"Stigmata\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003ePoetry:\u003c\/span\u003e\u003c\/p\u003e\n\u003col class=\"a-ordered-list a-vertical\"\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-bold\"\u003eGabriel Simone\u003c\/span\u003e\u003cspan\u003e: \"gold leaves\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-bold\"\u003eArthur Henry Ginsberg\u003c\/span\u003e\u003cspan\u003e: \"The Bones are Singing\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-bold\"\u003eStan Sanvel Rubin\u003c\/span\u003e\u003cspan\u003e: \"War Requiem\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-bold\"\u003eJean-Paul Thuot\u003c\/span\u003e\u003cspan\u003e: \"A Substantive Change of Circumstance\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-bold\"\u003eMohammad Mansournejad\u003c\/span\u003e\u003cspan\u003e: \"It’s obvious\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-bold\"\u003eAce Boggess\u003c\/span\u003e\u003cspan\u003e: \"Fire and Water\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-bold\"\u003eMartin Rieser\u003c\/span\u003e\u003cspan\u003e: \"Flood\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003eNonfiction:\u003c\/span\u003e\u003c\/p\u003e\n\u003col class=\"a-ordered-list a-vertical\"\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-bold\"\u003eLindsay Nash\u003c\/span\u003e\u003cspan\u003e: \"Nem! Is Not A Bad Word But Hungary Can Howl\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-bold\"\u003eMatthew Phillips\u003c\/span\u003e\u003cspan\u003e: \"The Bush\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eEach piece in this issue invites the reader to a unique journey, from the shores of personal loss and redemption to the broader societal landscapes that shape our stories and lives. The Winter 2024 issue is not just a collection of creative works; it's a global dialogue crafted through the art of storytelling.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEmbrace the cold touch of winter with a warm companion in literature. Get your copy of The Brussels Review's latest issue and immerse yourself in the world of exemplary literary craft.\u003c\/span\u003e\u003c\/p\u003e","brand":"The Brussels Review","offers":[{"title":"Default Title","offer_id":54092400918863,"sku":"","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0834\/7467\/8095\/files\/71rSbRc_WdL._SL1500__1.jpg?v=1735489812"},{"product_id":"tbr-spring-25-print-issue","title":"The Brussels Review: Spring 25","description":"\u003cp\u003e\u003cspan\u003eThe Spring 2025 issue of The Brussels Review embarks on an introspective journey across diverse landscapes of expression. This edition, richly woven with narratives both bold and subtle, presents a panorama of voices that echo through the corridors of fiction, poetry, and non-fiction. Readers are treated to the mesmerizing fiction of K.P. Taylor's \"Miss Mittens,\" where quaint life collides with uncanny reality, and Timothy Riley's \"A Gold Sky Arching,\" a narrative that paints the skies with the hues of hope and redemption. The poetry section heralds the delicate verses of Buffy Aakaash's \"Hollister Hill,\" capturing the essence of ephemeral beauty and the transient moments that stitch our days together.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNon-fiction pieces delve into the reflective territories of the human condition, with Atieh Asadollahi's \"Enchanted\" exploring the mystical interplay between reality and illusion, a theme that resonates deeply in our current times. Each piece, carefully curated, aims to challenge, soothe, and provoke thought, weaving a tapestry of literary craftsmanship that stands testament to the magazine's commitment to de-Americanizing literature and bridging the transatlantic literary dialogue.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis issue also features arresting artwork, including Philip A. Zimmermann's untitled acrylic masterpiece on the front cover, and Sasha Ferré's poignant \"And the sun can never burn through it\" on the back, each piece complementing the literary explorations within. As always, The Brussels Review continues to serve as a platform for voices that resonate with authenticity and provide fresh perspectives on the world's perpetual motion.\u003c\/span\u003e\u003c\/p\u003e","brand":"The Brussels Review","offers":[{"title":"Print","offer_id":55744359956815,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"eBooks","offer_id":55744359989583,"sku":null,"price":7.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0834\/7467\/8095\/files\/TBR25-1Cover_front.jpg?v=1740826267"},{"product_id":"the-brussels-review-summer-2025","title":"The Brussels Review: Summer 2025","description":"\u003cp\u003e\u003cspan\u003eA vibrant showcase of international literature, \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eThe Brussels Review – Summer 2025\u003c\/span\u003e\u003cspan\u003e presents a sweeping collection of fiction, nonfiction, and poetry that challenges, surprises, and endures. With contributors from five continents, this issue offers a panoramic view of contemporary literary voices, each distinct in style yet unified by a commitment to form, depth, and resonance.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"a-text-bold\"\u003eHighlights include:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"a-text-bold\"\u003eBeatriz Seelaender\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e's \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eMotion Picture Sickness\u003c\/span\u003e\u003cspan\u003e — A metafictional novella set in a world where actors vanish from film when they die, confronting fame, identity, and the ethics of representation.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003e\u003cspan class=\"a-text-bold\"\u003eGaye Brown\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e's \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eSome Gifts\u003c\/span\u003e\u003cspan\u003e — A powerful personal essay on altruism, sacrifice, and the shifting meaning of generosity, grounded in memory and moral ambiguity.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003e\u003cspan class=\"a-text-bold\"\u003ePatrick ten Brink\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e's \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eThe Word Thief\u003c\/span\u003e\u003cspan\u003e — A haunting tale of obsession, grief, and language, where a creature discovers that the right words can heal—or destroy.\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003ePoetry by \u003cstrong\u003eSonnet Mondal\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e, including \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eFragments of Life\u003c\/span\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eThe Biscuit Factory\u003c\/span\u003e\u003cspan\u003e — meditative, atmospheric poems on memory, tradition, and decay.\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003e\u003cstrong\u003eYelena Moskovich\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003e\u003cstrong\u003eChristina Brannon\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003e\u003cstrong\u003ePaul O’Brien\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003e \u003c\/strong\u003econtribute poetic sequences that range from lyrical minimalism to textured introspection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"a-text-bold\"\u003eOthers in this issue:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"a-text-italic\"\u003eTong, Gina Elia, Louis Kummerer, Charles Wilkinson, Danila Botha, Molly Collins, Jonathan D. Scott, Crystal McQueen,Joshua Carlucci, Wilson Neate, Stacey Megally, Gabrielle Glaslyn, Yannick Marien\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCurated by Publishing Editor \u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003eDritan Kiçi\u003c\/span\u003e\u003cspan\u003e and the international TBR editorial team, this issue continues \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eThe Brussels Review\u003c\/span\u003e\u003cspan\u003e’s mission to bring fearless, cross-cultural literature to the forefront. Printed in rich design and published both as eBook and in print, \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eSummer 2025\u003c\/span\u003e\u003cspan\u003e captures a moment where boundaries dissolve and language becomes the last homeland.\u003c\/span\u003e\u003c\/p\u003e","brand":"The Brussels Review","offers":[{"title":"Default Title","offer_id":55308684951887,"sku":"","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0834\/7467\/8095\/files\/TBRSummer.jpg?v=1749670640"},{"product_id":"the-brussels-review-autumn-2025","title":"The Brussels Review: Autumn 2025","description":"\u003cp\u003e\u003cspan\u003eThis issue brings Dani Otnes Aurouze’s “Plight,” a memoir about caregiving and memory; Cecile H. Blanc’s “The Peep Show” and Jan Rylewicz’s “Light,” which mix personal reflection with cultural observation; and Bernardo Montes de Oca’s essay “A Little While,” on grief and resilience. The poetry section features work from Julie Adrian, Susan Thornton, Arber Selmani, Blaire Baron, Ted Morrissey, and others, covering a range of forms and tones. Fiction in this issue includes Jake Kendall’s “The Caricaturist,” Karla S. Bryant’s “Unsaid,” Faith Miller’s “An American Dream,” and pieces by Ben Tufnell and Du Jie that move between the political and the uncanny. Across genres the issue revisit's themes of loss, repair, migration, and connection. With the art cover painting by Pippa Darbyshire (Ships 13), Autumn 2025 is available in print and digital editions.\u003c\/span\u003e\u003c\/p\u003e","brand":"The Brussels Review","offers":[{"title":"Print","offer_id":55973180277071,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"eBooks","offer_id":55973180309839,"sku":null,"price":9.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0834\/7467\/8095\/files\/Cover.jpg?v=1758908490"},{"product_id":"the-brussels-review-winter-2025","title":"The Brussels Review: Winter 2025","description":"\u003cp\u003e\u003cspan\u003eIn this Winter 2025 issue of The Brussels Review you can read:\u003cbr\u003e\u003cbr\u003eNONFICTION\u003cbr\u003eShena Cavallo: Junk People\u003cbr\u003eCynthia Graae: A Wedding Promise\u003cbr\u003eBurcu Seyben: Private Lessons\u003cbr\u003eDritan Kiçi: The Dimensionality of the Character\u003cbr\u003e\u003cbr\u003ePOETRY\u003cbr\u003eC. Desirée Finley (Fin)\u003cbr\u003eGreg Sendi\u003cbr\u003eRip Underwood\u003cbr\u003eSarah Dunphy-Lelii\u003cbr\u003e\u003cbr\u003eFICTION\u003cbr\u003eCorey Mertes: The Doctrine of Signatures\u003cbr\u003eJon Filipek: Here We Go Again\u003cbr\u003eLaurence Klavan: The Sleepwalker\u003cbr\u003eTravellia Tjokro: The Caretaker of Tears\u003cbr\u003eMary Burns: The Corsaire’s Daughters\u003cbr\u003eKevin Joseph Reigle: Zebulon Burning\u003cbr\u003eLydia Renfro: Greetings From\u003cbr\u003eShanti Ariker: Fungal Vengeance in the Bro-Verse\u003cbr\u003eVictor McConnell: Machines Don’t Whimper\u003cbr\u003eRoss McQueen: Voice in the Storm\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003eFeatured artist:\u003c\/span\u003e\u003cspan\u003e Dr. Benjamin Erlandson has been practicing photography and filmmaking for three decades. Trained in narrative, photography, filmmaking, and new media production at UNC-Asheville (BA) and Emerson College (MA), he captures multimodal narrative traces. In 2025, he was a multidisciplinary artist-scholar in residence at Pine Meadow Ranch in Sisters, Oregon.\u003cbr\u003ehttps:\/\/www.instagram.com\/beerland\/\u003c\/span\u003e\u003c\/p\u003e","brand":"The Brussels Review","offers":[{"title":"Print","offer_id":56620909297999,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"eBooks","offer_id":56620909330767,"sku":null,"price":9.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0834\/7467\/8095\/files\/71gl9bJfpYL._SL1500__1.jpg?v=1765736253"},{"product_id":"the-brussels-review-spring-2026","title":"The Brussels Review: Spring 2026","description":"\u003cp\u003eThe Spring 2026 issue features: M\u003cspan class=\"fontstyle0\"\u003eark Crimmins, \u003c\/span\u003e\u003cspan class=\"fontstyle0\"\u003eJames B. 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